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While some are calling for the abolition of the ratings system altogether, I don’t think it’ll be going away anytime soon. That’s 17,202 films, in case you were curious: The rating with the second-most movies? That’d be PG, with 5,578 - less than a third of the number of R-rated ones. Now, G and even PG movies are thought to be kids’ flicks: Moviemakers that want to appeal to adults now stuff in adult-level content - often unneeded and, for large tracts of people, unwanted.Īccording to a report just released by the MPAA, 57 percent of the movies rated by the association in the last 50 years have been rated R.
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(A 2004 study by Harvard University suggests that ratings creep is indeed real: researchers “found a significant increase of violence, sex and profanity in films over the 11-year period, suggesting that the MPAA became increasingly more lenient in assigning its age-based movie ratings.”)īut to me, here’s the saddest upshot of the ratings system: It killed the whole concept of movies made for “general audiences.” Gone are movies like The Maltese Falcon and Bringing Up Baby and Ben Hur - movies that appealed to adults but were suitable for children.
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(The MPAA did just crack the door open on its ratings guidelines a little bit - but not much.)Īnd then there’s the issue perhaps most vexing to parents - the so-called “ratings creep,” where movies that might’ve landed in R territory 10 or 20 years ago now are now rolled out to families with PG-13 ratings. And because the ratings are so subjective, that makes it hard for parents to make decisions for their own children based on them, too. And most everyone takes issue with the fact that the MPAA’s ratings standards are so secretive, which makes it nearly impossible for moviemakers to know how their films are going to be rated. Some say the MPAA, whose bills are paid by Hollywood’s major studios, are harder on indie flicks.
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The ratings system has come under fire for many other reasons: Many accuse its standard-setters to be relatively puritanical when it comes to sexual content, but free and easy with all sorts of graphic violence. The NC-17 brand, designed to prevent children and teens from being exposed to stuff way too mature for them, might actually be having the opposite effect. Directors began to edit their uber-adult films to just barely squeak by with an R rating, which kids of all ages can go to (or sneak into). But many movie chains refuse to screen such films, so the rating, like the old X rating, effectively killed its commercial viability. The NC-17 rating was designed to give moviemakers leeway to make quality, adult-oriented films. And after moviemakers complained that the old X rating had become unfairly tied to pornographic flicks, the MPAA changed it to NC-17. After an outcry from parents over bloody PG movies like Gremlins and Indiana Jones and the Temple of Doom, the MPAA introduced the PG-13 rating in 1984. The MPAA’s original “M” rating (for “mature” audiences, and for movies that might require parental discretion) gave way to GP (in 1970) which, in turn, changed to PG (in 1972). 1, 1968, the MPAA officially installed a new one.
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But directors were increasingly challenging the old code and the new MPAA President Jack Valenti said it bore “the odious smell of censorship.” It was time to replace the old code, he said. Looking back, it certainly didn’t seem to hamper great moviemaking. The Hays Code was a fixture in what we now call Hollywood’s Golden Age. We saw the knife, but no actual stabbing. Even the film’s famous shower scene was a study in suggestion: We saw skin, but no nudity. But even that harrowing horror story steered clear of profanity, nudity, and gore. Moms and dads of the 1960s wouldn’t want to drag their kids into Alfred Hitchcock’s Psycho. The Motion Picture Production Code, often called the Hays Code, made sure of that. Before MPAA ratings came to be, pretty much every American movie - at least those released between 19 - was thought to be kinda-sorta for everybody. It used to not be so hard to pick what to see. And however well-intentioned the creators of the system were, many moviegoers believe that it’s not up to its primary task: Helping parents decide what’s suitable for their children.
The ratings system for the Motion Picture Association of America (MPAA) - that familiar litany of letters and numbers, from G to NC-17 -just turned 50 on November 1.īut is anybody celebrating? Almost since its inception, the ratings system has been criticized. Light the candles, scoop the ice cream and crack out those silly paper horns. Here's some advice and resources for picking appropriate films for your kids.